The
Boy That Created Monsters excerpt
Darker
Than Black, Tales of Horror
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This
went on for quite some time, until one doctor noticed the correlation between
the suicides and Theo. All the suicides had one thing in common: they’d all
come into contact with Theo. The doctor that pieced it together noticed that
amongst the thousands of sketches that Theo had produced, several were of those
doctors, and the manner in which they met their violent, self-induced deaths, were
an exact match to those drawings.
Going against everything he’d been taught,
the doctor became convinced that Theo was possessed by demons and that if he
wanted to go on living, he’d better befriend the boy, so as not to appear as a
threat, like the other doctors apparently had.
So, instead of trying to repress Theo’s
artistic abilities, he decided to help him expand them. He started bringing all
manner of drawing tools and sketch pads for the boy and brought him snacks and
drinks. This did little to help Theo fit in with the rest of the patients, who
never received such special treatment, but Theo didn’t care, nor did the
doctor. All Theo cared about was drawing monsters and all the doctor cared
about was finding a useful way to manipulate the boy’s supernatural gifts. Since
this doctor never questioned Theo’s art, his death scene was never drawn. Their
friendship flourished.
Soon, Theo became the most feared patient
at the facility. It became painfully obvious that any of the patients who
messed with Theo was soon found dead, either by freak accident or suicide. The
other doctors and nurses never saw the connection between the doctors and
patients deaths, but the patients did, and those that survived his killing
spree avoided him at all costs. When he was allowed in the common area, he sat
alone, as everyone else stayed far away from him.
Theo’s isolation from the outside world
and the asylum inmates continued throughout his teenage years. He was a silent
loner, and it was obvious to all the medical professionals at the facility that
he couldn’t survive in the real world with his lack of communication skills and
morbid attitude toward human life.
Though all the doctors still involved with
his case thought the violence Theo portrayed in his drawings would never come to
physical fruition, because of his docile personality, they were all in
agreement that he would never be able to fit into society. All, that is, except
one: his personal doctor friend.
As Theo’s eighteenth birthday neared,
Theo’s doctor friend pressed hard for his release, even against the wishes of
the rest of the staff. He finally convinced the board to release Theo into his
custody. He was a well-respected doctor and his personal assurance that he
would take care of the young man, swayed the final decision in his favor.
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